Inspired by the 'right place, right time' cardboard letters and the fun I had arranging them I thought I'd have a go at the same thing with the wooden letters.
I have started with the 6mm letters as they simply have better balance and can hold themselves up.
The letters are initially balanced and then glued - for convenience more than anything. But it is important that they balance on their own before I commit them to glue. I don't want to create a lie.
Word selection was driven by the letters I had available, I started small and then I used the letters from each word and played with them to see how they would balance.
The order of the letters became unimportant in the quest for balance! However, this is fitting to my practice as I often work with breaking language and pushing its readability to its edges.
For audiences, shorter words seem easier to work out than longer words, which is expected. But I enjoy the wrong guesses that the longer words bring. To create something that people engage with and try to work out is satisfying. It holds the audience in place.
There is potential here for shadow work too - I keep thinking about shadows and then not doing anything with it.