This
is something that I have been considering lately, in reference to audience and
audiencing of the road sign (Rose, 2013). The natural audience for road sign
is, unsurprisingly, people using the roads. This audience intentionally engage
with the road signs daily. The road signs engage us with their use of our shared
public language (Wittgenstein, 2007) falling into the category of
conversational texts, instructing the audience on how to use the roads (Eco,
1979). Going forward I will also need to consider the audience of my copies
too.
As
I go through this process, I am trying to draw on comparisons between the two
contexts for the road signs; real life and the art world. In their current locations
the signs are specifically fitting and, in a context, allowing it to resonate. gives
the audience immediate access to the work (Stiles and Selz, 2012, p.712). This will
change once repositioned. Artists strive for immediacy to be ‘in the moment’
and road signs exist in that state naturally (Hayward, 2004).
Since starting The Road Sign Collection one of two things has
happened; there has been a sudden rise in the need for road signs in my local
area, or, I have awakened my attention to their existence. As I cannot now walk
down a street without feeling absolutely bombarded by them. It is quite
distracting. However, I do not feel fluent in this new language, so I investigated
this system of signs to find out more about the basic rules.
Road Sign
Shapes
Circular road signs -> give orders
Triangular road signs -> warn.
Rectangular road signs -> signs inform
(RAC,
2018)
Road Sign
Colours
Black and white -> regulations
(i.e., speed limits)
Yellow -> warning
Green -> guide signs
Green -> guide signs
Blue -> guide signs
Orange -> construction occurring
Brown -> parks and recreation
(Top
Diver, 2017)
Some signs are very to the point and I appreciate then for that!
However, I find myself with odds with others, for example I learnt that this
sign means ‘no stopping’ – who knew?! (This is of course a rhetorical question,
I’m sure many of you did know).
Some signs irk me more than others, particularly the sign below.
The mix if text and image annoy me. If you only look at the image you do not
get the full message and likewise, if you only read the text, the sign also
falls short. It appears that my own confusion is mirrored by most intended
uses, with research showing that only 21% of people surveyed could correctly
identify the meaning of the sign (Allen, 2019).
The audience of the road sign is something that I want to
address within my art practice. Firstly, I want to change who the audience of
the road sign is, by repositioning them into an art context. My intention being
that by positioning them away from the road they will be looked at by either;
the same audience in a new way, a new audience in a way that differs to their
original intention.
The
next step in this process is to step away from the original features of the
found road signs. By rendering the signs in tape, rather than creating copies
in mental, the signs become cheap, disposable and physically weak. This uncrafted
aesthetic communicates to the audience something about my art practice and positions
me, as one of them, rather than as an authority figure (Eco, 1989). The font
used on the original road signs will slowly be replaced with my own, ACComplete4, to further that feeling.
References
Allen, J.
(2019) Survey reveals the road signs most
motorists don't understand. [online] Available at: https://www.driving.co.uk/news/survey-reveals-road-signs-motorists-dont-understand/.
[accessed 21/11/19].
Eco,
U. (1979) Role of the Reader Explorations
in the Semiotics of Texts (Advances in Semiotics). Indiana University
Press; Midland Book Ed edition.
Eco,
U. (1989) The Open Work. Harvard
University Press.
Hayward,
K. (2004) City Limits: Crime, Consumer
Culture and the Urban Experience. Routledge-Cavendish.
RAC. (2018) The Highway Code - Common UK road signs and what they mean.
[online] Available at: https://www.rac.co.uk/drive/advice/learning-to-drive/the-highway-code-uk-road-signs-and-meanings/. [accessed 21/11/19].
Rose,
G. (2013) Visual Methodologies. Sage
Publications Ltd; 3 editions.
Stiles, K. and
Selz, P. (2012) Theories and Documents of
Contemporary Art: A Sourcebook of Artists. University of California Press.
Top Driver.
(2017) Black, Yellow, Green, Blue,
Orange, Brown: Know What Each Type of Road Sign Means. [online] Avalable
at: https://www.topdriver.com/education-blog/know-type-road-sign-means/.
[accessed 21/11/19].
Wittgenstein,
L. (2007) Lectures and Conversations on
Aesthetics, Psychology and Religious Belief. ed. Cyril Barrett. Berkeley
and Los Angeles: University of California Press.
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